1990`1993

[125]sH̉œ񐢒gEq̓z^

@攪匾GV[Y5
A90
B1991N3
C\V(31)EV(17)
D39.0~25.0cm
E璹̎q(䌧Y)
F\ʂVimL̃xj
G̕{b1991N1
H̕A1991N315`26
IE125͍iԍB


@

[126]SfܐⓌʎOY̎OY

@攪GV[Y6
A90
B1991N5
C\V(31)EV(17)
D39.0X25.0cm
E璹̎q(䌧Y)
F\ʂVimL̃xj
G̕Sf1991N3
H̕A1991N515`27
I126͍iԍB


@

[125] Nakamura Kichiemon II as the footman Unpei in
@    "Michiyuki Tabiji no Yomeiri"

1. Bust Portraits VV(Design 5)
2. 90
3. 1991/3
4. "Out of 90" (Seal31); "Seal of Kokei" (Seal 17)
5. 39.0~25.0cms
6. Ganpi Tori no Ko paper (made in Fukui Prefecture)
7. Plywood with a lime wood surface (Tilia Japonica)
8. "Kanadehon Chushingura" performed at the Kabuki-za,
     1991/1
9. Kabuki-za; 1991/3/15 to 26
10."125 "printed in the middle right signifies that this is the
     125th design by Kokei.

@

@

[126] Bando Tamasaburo V as the courtesan Komurasaki of
@@the Miuraya in "Sono Kouta Yume mo Yoshiwara"

1. Bust Portraits VV(Design 6)
2. 90
3. 1991/5
4. "Out of 90" (Seal 31); "Seal of Kokei" (Seal 17)
5. 39.0~25.0cms
6. Ganpi Tori no Ko paper (made in Fukui Prefecture)
7. Plywood with a lime wood surface (Tilia Japonica)
8. "Sono Kouta Yume mo Yoshiwara" performed at the
      Kabuki-za,1991/3
9. Kabuki-za; 1991/5/15 to 27
10."126" printed in the upper left signifies that this is the 126th
      design by Kokei.

@

@


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